Asian Thieves Land

Synopsis
This film revolves around the sexual fantasies of Sung-eun and her gal pals Bang Sue-yeon and Kim Mi-sook in Korea circa 1991. But fantasy soon becomes a reality with the arrival of a handsome student teacher named Kang Bong-gu. With his chiseled good looks and sparkling smile, no girl could resist him, that is – if he didn’t have one fatal flaw. It seems that Kang suffers from an unknown illness that makes him fart whenever he feels aroused! However, this problem does not stop Sung-eun from trying to snag her man!

Comment :
Whereas the first Wet Dreams film focused on the misadventures of four junior high school boys, Wet Dreams 2 focuses on the sexual curiosities of three girls: Soo-yeon, Mi-sook, and Sung-eun. Soon-eun is the most mature and prettiest of the three girls and a number of her all female classmates have schoolgirl crushes on her. She also has a secret admirer called Brainy Smurf who sends her gifts and flowers. Mi-sook is a geeky girl who seems to lack the brainpower to raise her status from geek to nerd. She tends to ask such important questions as "what is a rubber?" and "what is an erection?" She quite often gets the back of her head slapped and generally has abuse heaped upon her by her friends and teachers. Sung-eun is a pretty waif of a girl whose strong interest in boys spurs on the group's little adventures.

As in the previous film, a hormonally charged classroom is given a jolt with the arrival of a young teacher trainee. This time, however, the young teacher, Kang Bong-gu has a bit of interest in his students as well, especially the slender, busty Baek Se-mi. Se-mi is also interested in Bong-gu and being a girl who is used to getting what she wants little can stop her from pursuing her interests. Sung-eun, of course, also develops a crush for the young teacher, but she is a bit intimidated because of her undeveloped body. However, she pursues Bong-gu doing such things as padding her bra, pursuing a flasher to see what a penis looks like, and even going to Bong-gu's apartment and demanding that he have sex with her.

Like the previous film, Wet Dreams 2 is filled with lowbrow humor. Kang Bong-gu farts every time he becomes sexually aroused, which is quite often, and while it might make the viewer giggle once or twice, it becomes old quite quickly, however, it does produce one of the most humorous lines in the movie. After Sung-eun learns that Kang Bong-gu farts when he is sexually aroused, she states "If she, Se-mi, makes him fart then I am going to make him sh*t." Wet Dreams also has a bit of a "creepy" factor as well. Although the girls are all over eighteen in real life, I was a bit uncomfortable with some scenes involving Se-mi and the physical education teacher who took a number of liberties with the girl such as slapping her on the butt a few times. These scenes reeked of sexual harassment although Se-mi didn't seem to mind.

While better than the first film, and with a noticeably higher budget, Wet Dreams 2 falls into the same category of film as American Pie and the like. Therefore, while it can be entertaining, it offers little more than a quick laugh.
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Three centuries ago, a precious sword has been stolen by Kazamatsuri -- the sword, which historic and symbolic value is priceless for the clan (Shogun Tokugawa donated it to clan 80 years before that, at the same time that he established them as the local rulers). Lord's counselor's young son Heishiro goes to retrieve the sword himself to protect the clan from the shame or possible demise. He is accompanied with two friends, Shintaro and Tadasuke, and followed by the ninjas of the clan. After Kazamatsuri wounds Heishiro and kills one of his friends, the young aristocrat still wants revenge more than sword itself, but meanwhile have to recover from his wounds, in the small forest house of a lonely samurai and his daughter. At the same time, Kamazatsuri stays in nearby town in the entertainment center run by Okatsu and falls into her. The older samurai tries to dissuade Heishiro from fighting with Kamazatsuri, but is himself gradually drawn into the conflict.

Comments :

The Japanese b/w movie "Samurai Fiction" is neither a typical martial arts movie nor a classical "old school" samurai drama like the ones of Akira Kurosawa. It's rather a collage of different impressions about the life of a Japanese samurai some hundred years ago who becomes involved in a bloody revenge story.

In the beginning the spectators have to get used to the strange mixture of b/w action scenes, narrations, dances, wild editing and a rock and dance music sound track. After a certain time, director Hiroyuki Nakano seems to remember what a story is and tells an interesting plot about a proud samurai struggling between revenge, fight, death and love.

During movie there are always comedy situations such as the witty dialogue between the samurai and his servant or a really beautiful striptease dance Japanese-style by stunning actress Mari Natsuki to an Asian canton pop version of Peggy Lee's hit "Sway".

If you're into Asian hardcore action movies you may be bored by this unusual movie, but if you're open-minded enough for experiments, "Samurai Fiction" is a good and entertaining example for modern Japanese underground cinema.
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Fatt (Richie Jen) is a businessman, who originally comes from a family of martial arts experts. He intends to introduce his girlfriend (Kate Tsui) to his father (Yuen Wah) but is worrying if his father could accept his modern girlfriend. Then, to test out his father, Fatt hires a girl named Zao (Fan Bing Bing), who has just graduated from university and urgently needs money to be his temporary lover. Zao accepts the job and signs a contract to be Fatt's temporary lover. Fatt brings his fake lover home to meet his father, only to expect the unexpected.

Comments :
Kate stars opposite Richie Ren (or Jen, depending on what rocks your boat), as couple Rachel and Fat. They're the atypical modern day couple living it up in Beijing, though the latter is suspect of the former's promiscuity. He loathes the time when he has to bring his girlfriend back to the village to meet his parents, and to get the stamp of approval from his father (played by Yuen Wah). So they device a plan, and that is to look for a substitute girlfriend (hence the title Contract Lover), whose mission is to be as disgusting as possible, so that Dad will tell Fat to find anyone else better than the current beau, and hence, for Fat to introduce Rachel.

Cue Fan Bingbing's Joe (don't ask), a poor Chinese teacher who desperately needs the money to send home to her mom. To pull off being the most horrendous girlfriend ever, she has to go through a complete makeover, and be someone she's totally not, which is basically to act like a slutty bimbo (the credits actually showed her having an image consultant on set, though I suspect the role is to ensure her character doesn't tarnish Fan's good image). Then it's off to the village to try and be a put off to Fat's family.

The plot seems familiar, one of those fluffy romantic comedies where a mismatched couple soon find themselves falling for one another, while at the same time things happen to go against their plan, and for Fat not knowing who actually proves to be more compatible for him. Needless to say, Kate's role here is actually quite limited, given that she only appears in the beginning and at the end. The movie's in Mandarin too, and everyone has to speak it sans dubbers, which means the Hong Kongers must have had quite a difficult time - Kate does struggle with it, and can't seem to shake off her Cantonese accent convincingly.

The narrative runs quite choppily, and scenes seem quite disparate. Besides trying to be sexy at times (more for laughs actually), it cannot shake off the common generalization of villagers, that they just have to be skilled in martial arts. Yuen Wah's Dad is the distant descendant of Huo Yuanjia (remember Fearless?) and spouts (hokey) philosophy quite freely. Having set up the Jing Wu school, and the rivals being distant descendants of Wong Fei Hung, you can be sure that whatever jokes you can think of regarding their ancestry, be brought out for laughs. Those familiar with Hong Kong comedies, might see glimpses of them here, though with a lesser degree of success in delivery....
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Kurosaki is a failed author who has turned to writing cheap S&M porn as a way to make a buck. Seeking inspiration, he hires young models to stage various sexual scenarios. Feeling neglected, his wife responds by first flirting with another man...

Overview:

Directed by international rising star Ryuichi Hiroki ("Vibrator", "Tokyo Trash Baby") and based on an autobiographical story by famous erotic novelist Oniroku Dan, "I Am An S+M Writer" is an entertaining, sophisticated sex farce as well as a humorous and provocative vision of sexual empowerment.

Kurosaki (Ren Osugi, "Brother", "The Twilight Samurai") is a failed author who has turned to writing cheap S&M porn as a way to make a buck. Lacking expertise, and seeking inspiration for his writing, he has his assistant Kawada (Jun Murakami) hire young models to stage various sexual scenarios. Naturally, Kurosaki's wife (Yoko Hoshi) isn't happy discovering nubile young women tied up in the living room. Feeling neglected, she responds by first flirting with her athletic English teacher. Later, in a last ditch attempt to provoke some degree of interest in her husband, she turns to Kawada. When Kurosaki, a man more prone to ideas than carnal reality, learns what is going on, he desperately tries to turn the illicit affair into literary fodder.

Comments :
When I read a synopsis of this film, I was led to believe it was a comedy, a farce at that. This movie is not. The only thing going for this movie was its brevity. I had no interest in paying attention for the last half of the movie as the characters were unsympathetic and the plot was lacking. I'll admit, I was lured in by the subject matter, but, in the end, I was let down to an extent that I am glad I got it from Netflix so I could send it back as soon as possible. I had hoped to laugh, but instead I checked my email. If you want to watch a comedy, THIS IS NOT THE WAY TO GO. Oh, and also, apparently I need to keep writing to finish out the review, so I'll just reiterate. IT WAS BORING.
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17-year-old Yu (Miyazaki Aoi) has a major crush on Yosuke (Eita), the handsome young boy who plays his guitar on the riverbank everyday. He plays the same tune again and again and it fills Yu’s heart with joy and longing - but also with sadness. As much as she may love Yosuke, she knows that his affections lie elsewhere, with Yu’s older sister, no less. Seventeen years later, Yu (now played by Nagasaku Hiromi) and Yosuke (now played by Nishijima Hideotoshi) meet by chance in Tokyo, reawakening long-dormant emotions within Yu’s heart, but also within Yosuke’s.

Comments :
The film opens to a black screen, and suddenly a person's voice is overheard, they say, "Hey Yosuke… Do you remember? I remember…" and thus begins the beautiful film that is Su-Ki-Da (Japanese for "I Love You"). When I heard about this film a couple of months ago, and was fortunate to be able to view the trailer, I was instantly enthralled by the beautiful visuals that were presented in the trailer. I was finally able to obtain a copy of the movie (which has been recently released on DVD), and I can tell you this, I wasn't prepared for what the film had in store, visually as well as emotionally.

The film follows the lives of Yu and Yosuke, and the story spans from their teenage years all the way to their adulthood. Yu has a major crush on Yosuke, but she doesn't know how to express her feelings to him, but there is also a slight problem; Yosuke likes Yu's older sister…and you can probably tell by now there are going to be some problems that arise from this. We flash forward 17 years later, in which Yu and Yosuke run into each other by accident, and old feelings and regrets begin to come forth.What I loved about this film was that each actor played their parts so convincingly; you become absorbed into their world and truly care about the relationship of the two main characters and what the outcome of it will be. From the awkward moments of the characters trying to convey their feelings through words….but just can't, to the emotional reunion when they are adults, it's all presented so realistically that it hurts. Even though there is little dialogue throughout the film, the characters body language says more than any words could ever express.

As for the acting, it was superb to say the least; Actors Aoi Miyazaki (who plays Yu) and Eita (Who plays Yosuke) are fantastic in their roles of the young Yu and Yosuke. When the film shifts to their adult lives, Hiromi Nagasaku (who plays adult Yu) and Hidetoshi Nishijima (who plays adult Yosuke) takeover and were able to deliver the similar appearance of their youthful counterparts as well as their mannerisms. The cast did a great job, and the traversing between young adult to adulthood was handle very well. This film also had a lot of close-up shots of the characters, which made the film seem even more intimate.

One thing I just have to comment about though is the beautiful cinematography. Director Hiroshi Ishikawa is able give each shot an amazing amount of depth and emotion, and it certainly lends the film a poetic touch. Most of the film was done with an earthly color tone, giving the characters and backdrops a dull look, and it totally enhances the film's overall presences. The pacing of the film seemed a little slow at first, but definitely picks up, as well as builds up towards its conclusion.

For my final statement regarding Su-Ki-Da, is that it was a pleasure for me to watch, and I was spellbound every minute of it. It's the kind of film that will definitely stick with you long after you've seen it, mainly because of its heartfelt story. From the excellent visuals all the way to its great cast, Su-Ki-Da is a film that will definitely be in my collection. A notable classic in my books, I greatly recommend it.
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One day, an angel materializes before Kato's eyes. While the angel seems like an average girl with a passion for gin and lime, she sports a pair of big white wings. Only lonely-hearted people can see her. She may seem ordinary, but this angel touches hearts and transforms lives.

Alternative Title:
Angel
Tenshi Ni Naru Houhou
Tanshi Angel

Format: AVI / DVD Rip
Size: ~700Mb per CD (use HJSPLIT to join)
Runtime: 117 minutes
Audio: Japanese
Subtitle: English
Year: 2007
Genre: Fantasy, Romance


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Reincarnated with an invincible body to fight an iron devil. If Casshern does not do it, who will?

Comments :
Easily one of the best movies I have ever seen.

I am disappointed and yet not surprised at the low score given to this movie. It's not a typical action flick, as the trailer may lead many to believe. It is about so many things and the weak point is that it takes up so much, it is slightly difficult to follow.

I can't even express all the themes and things that flow through this movie. It takes up questions such as: Why do we fight wars? What is ethical? What would you do for love? What does it mean to be a father, a son, lovers, a citizen of a nation, a national leader, human, alive? Visually the movie is just breathtaking. It's gorgeous. Kiriya is not afraid to do what he feels does justice to the scene. He was the one behind the camera, not a common place for the director, to get the shot exactly the way he wanted it. Quite scenes are thoughtful and even the fight scenes are purely intense. Fantastic.

The movie is based on a 70s anime which is quite different. But it is interesting to note the places where the movie pays homage to the original anime.

The English subtitles are quite good and quite accurate. There are a few parts that I would have translated it differently, but over all, the integrity of the film is totally intact.

I highly recommend this film for true lovers of sci-fi who are looking something that is more than mindless battle scenes.
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Four couples are heartbroken with their pending separation caused by the compulsory military service. The boys are worried their girlfriends will now have an excuse to meet other men. The girls are also having a hard time getting used to living without their boyfriends. Will the boys successfully fulfill their obligation and return to their girlfriends?

Comments :
In South Korea, young men have compulsory military service for two years (24 months). This is the story of four separate men who leave their girlfriends behind, and then worry about what will happen to their relationships.

The soldiers return on leaves, and the girls occasionally visit the platoon where they're stationed.

The movie is promoted as a cute comedy, but plays more like an ensemble romantic drama. There are no sexy displays of affection like I've seen in other Korean flicks. Only one of the relationships could be considered comic.

I found the plot confusing because of the quick inter cutting of the different threads, but the acting was realistic enough and the writing was perceptive. There's no hard-hitting message, and overall the movie was an interesting insight into Korean youth culture.

The music was really good too, and at one point you find yourself concerned about whether the fledgling rock band will survive the turmoil.

Here's a scorecard to help you keep track.... In the beginning, these couples are together:

Min-chul (rocker) & Han-na (rock singer)

Eun-suk (college student) & Jin-ah (student & part-time lab tech)

Won-jae (an immature romantic) & Hyo-jung (physiotherapist, six years older!!!)

Hur-wook (certified a--hole) & Bi-ang (house-sitting leech)

also involved are Bo-ram (rock keyboardist) and Ki-sung (one guy's "best friend")
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From writer/director Jang Hyeon-Su (Born to Kill) comes Everybody Has Secrets, a comic tale of sex and secrecy that argues that not all secrets need to be revealed, especially if they can fuel a loving relationship. This remake of a little-known Irish film called About Adam features popular Korean idol Lee Byung-Hun (JSA) as a modern day Don Juan who ends up bedding a trio of sisters, while at the same time irrevocably changing their lives which begs the question, is it a change for the better?

Comments :
The story is about a man who meets the youngest of three sisters and then ends up influencing all of their lives in the most charismatic way. He tries his best to uplift their spirits by giving them closure and a friend. This is by no means a lewd flick and has a lot of class in the field of direction and acting. The ending fits the movie but not many people may like it.

This is a definitely worth a watch but don't expect it to be anything to the tune of "My sassy girl" which in my opinion is the best romantic movie to come out of Korea in recent times. This one however has very good acting from LEE and CHOI with good support from rest of the cast. The flavour of the movie is of the typical Korean romance flick but needs to have a much more solid script which goes helter-skelter from time to time.
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Jae Kyung is a spoilt rich kid and a bit of a slacker. He is in his senior year at high school, but rarely bothers showing up to class. It’s not that he has no desire for success, it’s just that he knows he doesn’t have to study hard in order to get it. On his nineteenth birthday he will become a millionaire, thanks to his late grandfather’s inheritance. But, the day before the big pay out, Jae Kyung’s family lawyer discovers a hidden clause in the contract. Jae Kyung can only inherit his fortune if he graduates from Boram High School. Where? Exactly!

Comments :
Don't let the title fool you. It's cheesy and mushy, but the movie surprised me. I didn't expect it to be so good. It grabs you and doesn't let you go. The plot is kinda simple - 18-year-old heir Kang Jaekyung (played by Bin Hyeon) is a spoiled brat who is used to getting everything he wants. Alas, he will be entitled to his grandfather's millions only if he will graduate at particular school in particular place. At first he is being rebellious and all, but then he realizes that he's seeing this girl Choi Eunwhan (played by Yeonhee Lee) more often. Of course, the title suggests that he will fall in love. But it's trickier than it seems, because Eunwhan has a heart-disease and then the changes begin.

Everything is shown with such kindness and disengagement that it has ALMOST made me cry. I mean - ME, and I never cry during movies. What else. Well, nice job of director of photography and editor. Really nice. Also the OST is like wow. Do I have to tell you that I have the theme song on my play-list? :) And it is sung by Kim Jaejoong!! My baby <3 href="http://www.imdb.com/title/tt0757157/">Imdb

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Beautiful, sexy Ji-young is placed at an all boys’ high school as student-teacher. Teenage boys in puberty think of her as a sex goddess and fantasize about her. Then from one of the classrooms, Dean of Students sees a silhouette of a couple embracing and hears a woman moaning. He goes to the classroom only to discover a pair of red stilettos. He suspects Ji-young and is resolved to protect the boys from her sexual charms.

Comments :
A movie is based on some of those hentai manga games we could find over the internet. The same with the different characters you could choose and of course the target is the sexy teacher.

The main plot is about a catholic school in South Korea, where a young female teacher comes for probation. She has to work as a teacher in french class, where the children are mostly male students. Anyway her character is played by Seon-yeong Ahn - sexy and very good looking Asiatic hottie. All the male students mostly at age of 17 are stunned by her and not only students, but the other male teachers themselves too. The catholic school conducts every year a fete with main auditory -mostly archbishop and his staff. The french teacher decides to make a different type of festival - a musical. A three volunteers are on line to be trained by her to dance : a handsome guy whose success with girls is legendary, a romantic guy with extraordinary penis and old face(maybe because of some kind of sickness - but the actor is 40 yo man) and a pervert , which interests are mostly with sex shop articles. All these three guys tries to win the heart of the young teacher. The other competitor for this competition is the teacher in maths- a sadistic and idiotic character. The movie is watchable. There is many hilarious moments and sexy jokes. Most of the jokes are silly and retarded, but I suppose that is the charm of the movie. After 2 or 3 hours you will forget about it.
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Ji-hae and Soo-kyoung are friends attending the same university and both have a crush on Sang-min who is in their drama club. The more clamorous and outgoing of the two, Soo-kyoung, asks Ji-hae to do her a favor - write a love letter to Sang-min. Ji-hae pours out her own feelings for him on paper, but sadly in her friend’s name. Touched by the letter, Sang-min is attracted to Soo-kyoung, and Ji-hae, feeling uncomfortable and even guilty, tries to avoid him. And yet by coincidence or by fate she keeps running into him.

Ji-hae has lived alone with her mom since her childhood, when her dad unexpectedly passed away. Her mom is now on a trip abroad, and to wile away her solitude she starts cleaning the attic. There Ji-hae finds a secret box, in which her mom kept the memorabilia of her first love story of some decades past.

Summer in 1968…
Joon-ha is visiting his uncle’s home in the countryside during his summer vacation. There he meets Joo-hee and falls in love at first sight. One day, the lovely Joo-hee secretly asks Joon-ha to escort her to a haunted house in the village. Happy and excited to be at her service, Joon-ha meets her at their promised spot. But in an unexpected storm, the two lose their boat and barely manage to return home at a very late hour. Joo-hee gets into big trouble for this incident and is sent back to Seoul. Having parted with Joo-hee without a word of farewell, Joon-ha spends the rest of the summer heavy-hearted.

With summer vacation being over Joon-ha also returns to Seoul. At school, his classmate Tae-su asks him to write a love letter to send to a girl. And who would it be but Joo-hee, Joon-ha’s dream girl. Unable to confess his own summer love story, Joon-ha reluctantly complies with his friend’s request.

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Warrning : Password for the RS file = namdatviet

An armoured truck carrying $100 million of cash is attacked by a criminal gang which calls themselves the "Ronin Gang" with explosives as it stops at a traffic junction in front of a jewellery shop. All the security guards were shot dead except one, while responding police officers suffered serious casaulties under the gunfire of the heavily armed gang members. The explosions also killed several civilians, including a lady in the shop. Six months later, the same gang reappears in Hong Kong, injuring a group of policemen, two critically, during a spot check. The dead woman in the jewellery shop was Crime Investigation Department detective Chan Chun's fiancee, while the injured policemen are led by Trainee Inspector Fong Yik-wei. Both officers vow revenge on the criminal gang.

Wai King-ho is a rookie cop whose older brother, Wai King-tat, also a police officer, has been missing for an extended period. Deeply upset by police allegations that his brother has become a part of the criminal gang while infiltrating as an undercover, he was suspended from duty due to this connections with his now-wanted brother, and later confronted by both Chan and Fong who demand his brother's whereabouts. They form an alliance after Wai is rescued by Chan and Fong in a fight at a night club. Little Tiger is captured by Chan and is forced to lead the police to the gang's hideout. The gang appears however and kills Tiger after a chase, while injuring Chan and several of his colleagues.

It turns out that the surviving security guard is Ho Wing-keung, the manager of the security company and who is in colludes with the gang to rob the armoured truck. He is tracked down by the gang to a psychiatric hospital, where he feigns a mental breakdown to escape detection by the gang. Chan, Fong and Wai arrive at the hospital, but fail to prevent his escape with the gang, who threaten his family to force him out. As the three pursue the gang, they run into an accident scene, where the gang shoots several police officers at the scene, hijacks a mini-bus with young children, and takes Wai as a hostage in the bus. Chan and Fong goes after the bus with Ho in another car.

The gang members and the police officers engage in a lengthy confrontation, in which Wai discovers that his brother has his background exposed and killed by gang member Ronin Tien Yeng-yee. Ho is killed by Tien Yeng-seng to silence him, Wai is left handcuffed to the bus with the children and a timer bomb, while Chan and Fong are forced to collect the stolen cash from the robbery's mastermind at a funfair at Tamar while chained to another timer bomb. Wai manages to free himself and rescue all the children, and discovers that the bomb is fake, suggesting that Ronin has no intention to harm the children. Chan and Fong approaches a man with a luggage at the funfair as instructed, but the man turns out to be Chief Inspector Sam, who is leading an operation to nap the gang. The operation goes awry, the timer bomb is ignited safely in the nick of time, and Sam was pulled away by Chan and Fong to a secluded area, where they attempt to explain their situation to him. It is then revealed that Sam is also colluding with the mastermind, and is promptly killed, resulting in Chan and Fong becoming suspects for the murder.

With the help of Fong's girlfriend Leung Hoi-lam from the Police Intelligence Department, Chan and Fong realise that the real mastermind is Senior Superintendent Cheung Man-yiu, who has orchestrated the armour truck robbery, double-crossed the gang resulting in the death of three of their members, and made off with the loot which he keeps hidden in a car in the Police Headquarters carpark. The remaining four members of the criminal gang arrive at the Headquarters in a police van masquerading as police officers to forcefully get the money back, just before the arrival of Chan, Fong and Wai. Senior Superintendent Mark Law Pui-keung begins to learn about the truth from data provided by Leung.

An extended showdown at the Police Headquarters ensues, resulting in the deaths of three criminals, multiple policemen including a Special Duties Unit squad and Wai, who was beaten to death by Tien. An injured Tien was shot by Cheung, who nearly escapes arrest when he was later led to an ambulance by unsuspecting officers. He was subsequently shot dead by Chan and Fong when he tries to kill Law who was led to another ambulance. Both Chan and Fong return to their police duties, but as a detective and a beat cop respectively. They also help take care of Wai's grandmother.

Comments :
There's nothing invisible about the target in Benny Chan's latest movie Invisible Target. And in actuality, it seems that the constant target for everyone in the movie here, be they the bad guys or the good cops, are the plenty of glass lying around, getting smashed into smithereens by hurled projectiles, or more frequently, human bodies. See that nice looking glass window? It'll be smashed soon. Or that double panel glass facade? Yup, as soon as you notice it, the next scene will show it in a million bits on the floor with a writhing body. It could be aptly titled Glass Target.

But don't get me wrong. Invisible Target is still enjoyable, in that it brings to you the flavour of a typical Hong Kong action movie, with Benny Chan at the helm. As we slowly get nauseated by the frequent mole versus mole plots that Hong Kong crime thrillers formula usually adopted (no thanks to the success of you know what), I thought Invisible Target was reminiscent about an old John Woo movie Hard Boiled, except that it's minus the guns, and instead you get plenty of fisticuffs. A similarly long drawn out ending was a little too tedious to sit through, though it had its fair share of big bangs and segmented action sequences which tried hard to hold your attention. Teahouses remain perfect locales for fights to break out (as in Hard Boiled), and here, it serves as a male bonding moment for our three heroic cops Chan Chun (Nicholas Tse), Fong Yik-wei (Shawn Yue) and Jaycee Chan's Wai King-ho......
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A self-remake of multi-award winning 1982 film by director Oobayashi Nobuhiko, "Tenkousei" is about two junior high student switching body.

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With the comedy genre offering so little in the way of entertainment lately, it is refreshing to see a film that re-afirms that comedy can be funny without insulting one's intelligence. TALK, TALK, TALK is such a film, offering strong performances, good characterisations, and witty dialogue, making for good-hearted viewing that doesn't overly manipulate or simplify.

Director Hideyuki Hirayama, who has helmed a variety of films from the enjoyable remake SAMURAI Resurrection, the excellent TURN, to the flat and disappointing LADY JOKER, puts character and dialogue front and centre, something a lot of modern film-makers fail to do nowadays.

Taichi Kokubun is fine as the rakugoka-in-training, Karina is wonderful as the sour-faced Satsuki, Yataka Matsushige is perfectly awkward as ex-baseball pinch hitter Yugawara, and Yuuki Morinaga is terrificly natural as the young Murabayashi.

With a story that could have been routine and predictable, TALK, TALK, TALK proves to be anything but, showing that you can have a good time without sacrificing quality.
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A struggling artist Hee-do is offered a million dollar to bet his life if he loses a game against a rich old man named No-shik who is dying from a terminal disease. The game is to dial any random number and tell whether it would be male or female who takes the call before the phone gets answered. Hee-do calls “Female” and No-shik “Male.” It turns out the call-answerer is a drag queen and Hee-do loses. After a month of a brain operation, No-shik wakes up in Hee-do’s body and Hee-do does in No-shik’s. With Hee-do’s young healthy body, No-shik is now the man of health and wealth, let alone romance with the clueless Hee-do’s fiancé. Meanwhile, No-shik’s ex-wife convinces the frustrated Hee-do to help her lay out a scheme to revenge upon No-shik by revealing the truth. However, the woman is found dead not long after in No-shik’s office building. Hee-do comes to another showdown with No-shik and makes the second bet that could return his lost body if he wins and could lose his memories about his fiancé to No-shik if he fails. Each calls out random numbers and waits for the voice to be heard.

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"If you're innocent, surely there's no way they can find you guilty?"

Teppei KANEKO is a young guy, typical of many of his generation; he works part-time, hangs out in Tokyo and tries to figure out what life has in store for him.

He finds out the hard way. Finally getting his act together, he's on his way to his first job interview when he's accused of groping a young schoolgirl on the train.

He desperately pleads his innocence but the police are only interested in coercing a quick confession and closing the books. Before he knows what's going on his denials plunge him into a Kafka-esque world of bureaucratie precedent.

Being held in custody is a frustrating, brutalizing and lonely experience for Teppei. The prosecutor ignores his explanations of innocence and he's summarily arraigned for trail. In Japan judges are promoted for the speed with which they deal with their caseloads with a resulting 99.9% guilty rate. Belying its adoption of most aspects of modern democracy, Japan does not have trail by jury and presumption of guilt is reality in all but name.

Driven by the purity of his belief that innocence will save him, Teppei secures the services of veteran defense counsel, Mr. Arakawa (Koji YAKUSHO) and greenhorn assistant defense attorney, Ms. Sudo (Aska SETO). Sudo does'nt have the slightest desire to defend a groper but when Arakawa tells her that false accusations of molestation go to the very heart of the problems with Japan's legal system, she begrudgingly complies.

Meanwhile Teppei's mother (Masako MOTAI) and slacker best friend, Tatsu (Koji YAMAMOTO), form an unlikely alliance to organize on his behalf.

As his circle of friends and supporters gathers round, so too the noose of "justice" tightens and the power of the state moves against one young man who is about to have to grow up very fast.

Comments :
I applaud the film director, Masayuki Suo, for having the courage to put out such a poignant film that speaks volumes about Japan's flawed justice system as a Japanese citizen. The 99.9% guilty rate is a reality not taken seriously by foreigners and many of those living in Japan. As a foreigner, it was interesting to see how laws are applied within the context of such a seemingly modernized and developed country. We follow the main character, Teppei, who is caught at the wrong place at the wrong time as he is accused of committing a crime he did not commit. With the assumption that standing by his innocence will set him free quickly and painlessly, we soon learn about the psychological battle he and those close to him have to battle.

Japan's judicial system is very different from westernized systems. In Canada for instance, much of our outcries and screams of injustice belies on the fact that the justice system "protects" criminals. More guilty people walk away or serve light sentences for crimes committed here. In Japan, it is quite the opposite and it makes one ponder... how many innocent people exactly are locked up? How easy is it for individuals to take advantage on that "trust" and falsely accuse another person of a crime they did not commit for the purpose of a hefty out-of-court settlement? In all, this film was excellent and is an important tool for us to reflect upon how "justice" is applied in different nations. It is exceptionally accurate in its portrayals of the daily ins and outs of those in Japanese jails. To assume that the Japanese system "can't really be THAT bad" is a slap in the face to all those who had to undergo that kind of psychological hardship as INNOCENT men and women. I am saying this as a fact. My boyfriend had spent close to a month in jail with accusations for a crime he did NOT commit. The prosecutor's only goal is to dig up any kind of confession by any means necessary - verbal coercion, bending stories, refusing or providing menial legal counsel, etc. When your ultimate verdict is guilty from the start, what kind of justice does an innocent individual have left? Is it right for an innocent man to say that he is guilty when he is absolutely innocent?
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The original My Boss, My Hero hilarity came from the irony of a gangster in his 30s going to high school and attempting to get a diploma without revealing his criminal identity. The gangster, Kye Du-sik, tries to get along with his much younger classmates and ends up solving problems at the school.

In the sequel My Boss, My Hero 2, Kye has graduated and entered college. He is dispatched to a high school to work as a student teacher for four weeks.

The problems in high school are worse than the original. Kyu witnesses one especially corrupt teacher forge the scholastic documents of privileged students whose fathers are high-ranking politicians, and have a sexual relationship with a pupil.

Comments :
I've never seen the original, but I have seen this sequel, which I have to say, was an average, mediocre film. All actors and actresses made a great performance. Story and element was unique. What really did affect my grading of this movie was based on what most Korean movies had. I'm Korean and I've seen numerous amounts of Korean movies, but none did ever have a great ending. They always ended in the weirdest way possible. Some of their endings were just crude and off, which ruins the entire movie itself. This movie still did have a near satisfying ending. But I'd have to say that the progression of the film was just either TOO slow or TOO unnecessary. I'd say that there were some crude, funny jokes added in scenes, but the story itself went by too slowly. I almost dozed off just watching the entire film. The ending just builds up its height due to some surprising, shocking moment. Besides that, the film was notoriously INACTIVE, as how I would have felt.
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The final film, and the final confrontation between Ogami and Retsudo. With most of his family already dead at Ogami's hands, Retsudo launches one last plot to destroy him, and when that fails, unleashes the fury of every remaining member of the Yagyu Clan.

Comments :
The sixth and last of the "Lone Wolf and Cub/Baby Cart" series of films shows how artistically well-done films can make even the most ludicrous ideas work. During Ogami Itto's journey to the final showdown with his arch-enemy Retsudo, leader of the evil Yagyu clan, we witness everything from incest bordering on necrophilia, zombie samurai who can burrow in the ground like worms, the usual assortment of mutilations, a battle on snow skis, and the most elaborate baby cart weaponry yet--including automatic armor plating! As usual, the images are beautifully composed, the action is splendidly choreographed, the plot ideas are wonderfully outrageous, and the funky music score is cool perfection. Any of this out of context would be silly; in context, it's almost sublime.
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In the fifth film of the "Lone Wolf And Cub" series, Lord Kuroda, head of the Kuroda clan, sends his five greatest warriors to individually test the skill of Lone Wolf prior to hiring him. He passes the test.

Comments :
"Baby Cart In The Land Of Demons" is the fifth of the internationally renowned "Lone Wolf And Cub" productions.

Prior to hiring Ogami Itto, Lord Kuroda, head of the Kuroda clan, sends his five greatest warriors to individually test the skill of Lone Wolf. Ogami passes the test.

Hired to ensure that the succession of the clas passes to the legitimate heir, the son of Lord Kuroda, Lone Wolf becomes enmeshed in a web of intrigue that leads in turn to Lord Retsudo, the evil head of the Yagyu. Before he can break free, he must turn against the very men who hired him, the loyal retainers of the Kuroda clan.
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Fifth film in the Lone Wolf & Cub Series. 5 warriors challenge Ogami to duels. Each has 1/5th of Ogami's assassin fee and 1/5 of the information he needs to complete his assassination. His mission is to kill a mad Daimyo before he destroys his clan!

Comments :
Even though all the festival-scenes are a sub-plot that adds little to nothing to the story, I find this an excellent film. The idea and the enactment of the five Samurai, each giving Ogami a part of his mission as their dying words, exemplifies the value of loyalty and truth above all. In all the Lone Wolf films honor is considered the highest value, and there is a continuous presence of morality throughout the series. In this film I was touched by the incredible loyalty of all the Samurais of the Kuroda clan. Even when on fire, fatally wounded or bleeding from every orifice, they still continue to serve their clan. In fact they care so much for their clan that they hire Ogami to kill their own, perverted masters, because their actions bring dishonor and great danger to the clan.

Story-wise certainly the most elaborate of the Lone Wolf films, I found this one to be the best.
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